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Archive for November, 2009

“It turns out that ‘low-intensity’ negative moods are linked to better writing than happy moods. As shown in the research of University of New South Wales Psychology Professor Joe Forgas, when we’re not walking on clouds or doing a happy dance, we tend to be more careful and mindful of details.

“Forgas has worked extensively on the effects of mood, and his most in-depth work with writing was described in the 2006 article ‘When sad is better than happy: Negative affect can improve the quality and effectiveness of persuasive messages and social influence strategies.’ . . .

“So why do crappy moods have such un-crappy consequences? Forgas said, ‘The most likely explanation is based on evolutionary theorising—affective states serve an adaptive purpose, subconsciously alerting us to apply the most useful information processing strategy to the task at hand. A negative mood is like an alarm signal, indicating that the situation is problematic, and requires more attentive, careful and vigilant processing—hence the greater attention to concrete information.'” (more @ GOOD)

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“Why do novelists write essays? Most publishers would rather have a novel. Bookshops don’t know where to put them. It’s a rare reader who seeks them out with any sense of urgency. Still, in recent months Jonathan Safran Foer, Margaret Drabble, Chinua Achebe and Michael Chabon, among others, have published essays, and so this month will I. And though I think I know why I wrote mine, I wonder why they wrote theirs, and whether we all mean the same thing by the word ‘essay’, and what an essay is, exactly, these days.” (cont’d @ Guardian)

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Bill Moyers, a former advisor to President Lyndon Johnson, who in April, 2010, will retire from his weekly televison program, “Bill Moyers Journal,” on the parallels between Johnson’s decision to escalate the war in Vietnam War and the decision facing Barack Obama in Afghanistan:

“Now in a different world, at a different time, and with a different president, we face the prospect of enlarging a different war. But once again we’re fighting in remote provinces against an enemy who can bleed us slowly and wait us out, because he will still be there when we are gone.

“Once again, we are caught between warring factions in a country where other foreign powers fail before us. Once again, every setback brings a call for more troops, although no one can say how long they will be there or what it means to win. Once again, the government we are trying to help is hopelessly corrupt and incompetent.

“And once again, a President pushing for critical change at home is being pressured to stop dithering, be tough, show he’s got the guts, by sending young people seven thousand miles from home to fight and die, while their own country is coming apart.

“And once again, the loudest case for enlarging the war is being made by those who will not have to fight it, who will be safely in their beds while the war grinds on. And once again, a small circle of advisers debates the course of action, but one man will make the decision.

“We will never know what would have happened if Lyndon Johnson had said no to more war. We know what happened because he said yes.” (more @ The Nation)

Related: Bill Moyers Journal (November 20, 2009)

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“In an online poll conducted by the National Book Foundation, [Flannery O’Connor’s] collection ‘The Complete Stories’ was named the best work to have won the National Book Award for fiction in the contest’s 60-year history. The competition was steep: other finalists in the poll were ‘The Stories of John Cheever,’ William Faulkner’s ‘Collected Stories,’ ‘The Collected Stories of Eudora Welty,’ Ralph Ellison’s ‘Invisible Man’ and Thomas Pynchon’s ‘Gravity’s Rainbow.'” (more @ NY Times)

Related: Colum McCann Wins National Book Award

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Jeanne-Claude, who collaborated with her husband, Christo, on dozens of environmental arts projects, notably the wrapping of the Pont Neuf in Paris and the Reichstag in Berlin, and the installation of 7,503 vinyl gates with saffron-colored nylon panels in Central Park, died Thursday in Manhattan, where she lived. She was 74.

“The cause was complications of a brain aneurysm, her family told The Associated Press.

Jeanne-Claude met her husband, Christo Javacheff, in Paris in 1958. At the time, Christo, a Bulgarian refugee, was already wrapping small objects. Three years later, they collaborated on their first work, a temporary installation on the Cologne docks that consisted of oil drums and rolls of industrial paper wrapped in tarpaulin.

“To avoid confusing dealers and the public, and to establish an artistic brand, they used only Christo’s name. In 1994 they retroactively applied the joint name ‘Christo and Jeanne-Claude’ to all outdoor works and large-scale temporary indoor installations. Indoor work was credited to Christo alone.” (cont’d @ NY Times)

Related: ‘The Gates, Central Park, New York, 1979-2005’ Christo and Jeanne-Claude

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“The story of the seduction of a lesbian by an ageing stage actor, which includes an eye-watering scene with a green dildo, has won Philip Roth the dubious honour of a place on the shortlist for the Literary Review’s bad sex in fiction award.

“Roth can comfort himself with the fact that a roll call of literary fiction’s great and good, from Booker winner John Banville to acclaimed Israeli novelist Amos Oz, Goncourt winner Jonathan Littell and Whitbread winner Paul Theroux, have made it into the line-up for this year’s bad sex prize, set up by Auberon Waugh to ‘draw attention to the crude, tasteless, often perfunctory use of redundant passages of sexual description in the modern novel, and to discourage it.'” (cont’d @ Guardian)

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“It was a revolution that began with a lie.

Vaclav Havel, the dissident leader who spearheaded the Velvet Revolution that overthrew communism in Czechoslovakia and kicked off twenty years ago on November 17, 1989, once declared that ‘truth and love must triumph over lies and hatred.’ Yet the revolution — its name a reference to the clenched fist in the velvet glove — was sparked by a false rumor that to this day remains a mystery.

“On Tuesday, thousands of Czechs are expected to march through the streets here, to the sound of wailing sirens and the growls of police dogs, eerily replicating a non-violent student march, 20 years ago, in which police rounded on demonstrators and rumors spread that a 19 year-old mathematics students named Martin Smid had been brutally killed. Scores had indeed been violently beaten. But no one, in fact, had died.

“Jan Urban, a dissident leader and journalist who helped to disseminate the lie, recalled in an interview that news of the alleged death had spread quickly, helping to wake a nation out of its collective apathy and lighting the spark — eight days after the fall of the Berlin Wall — for the peaceful rebellion that culminated in the regime’s demise.” (cont’d @ NY  Times)

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old-books-300x205“Old books smell like grass, with a tang of acidity and a hint of vanilla, according to scientists who have discovered a way to tell the condition of an [sic] works by their odour.

“The system can measure the degradation of old books and historical documents on the basis of their aroma.

“Now the scientists say their non-destructive ‘sniff’ test could help libraries and museums preserve a range of prized objects, some of which are degrading rapidly due to advancing age.

“Matija Strlic, a chemist at University College London, and lead author of the study, and her team note that the well-known musty smell of an old book, as readers leaf through the pages, is the result of hundreds of so-called volatile organic compounds (VOCs) released into the air from the paper. . . .

“Conventional methods for analysing library and archival materials involve removing samples of the document and then testing them with traditional laboratory equipment. But the new approach involves no damage to the document.

“The new technique analyses the gases emitted by old books and documents without altering the documents themselves.” (more @ The Telegraph UK, via Melville House)

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Gopnik Cookbooks“Vicarious pleasure? More like deferred frustration. Anyone who cooks knows that it is in following recipes that one first learns the anticlimax of the actual, the perpetual disappointment of the thing achieved. I learned it as I learned to bake. When I was in my early teens, the sick yearning for sweets that adolescents suffer drove me, in afternoons taken off from school, to bake, which, miraculously, meant just doing what the books said and hoping to get what they promised to yield. I followed the recipes as closely as I could: dense Boston cream pie, Rigó Jansci slices, Sacher Torte with apricot jam between the layers. The potential miracle of the cookbook was immediately apparent: you start with a feeling of greed, find a list of rules, assemble a bunch of ingredients, and then you have something to be greedy about. You begin with the ache and end with the object, where in most of the life of appetites—courtship, marriage—you start with the object and end with the ache.” (more @ The New Yorker)

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jazz band“Long before we debated what real punk-rock was, what true hip-hop was, or what made indie-rock authentic, jazz heads grappled with what is and isn’t jazz music. Now, the debate is whether jazz is dying off or not.

“Not long ago Jae Sinnett, a jazz drummer, composer, educator and radio personality, told NPR that jazz is dying because people are falling out of love with it. Hip-hop, Sinnet says, stole jazz’s thunder. He also blamed club owners for removing pianos from their venues to save space over the years.

“Sinnet’s claims are not unfounded. The Wall Street Journal‘s Terry Teachout reported in August that the audience for America’s great art form was withering away, based on data in the latest survey of public participation in the arts. According to the report, America’s jazz audience is not only shrinking, it’s aging. Attendance at jazz performances has dropped 30% since 2002. The median age of concert patrons in 2008 was 46; in 1982 it was 29. . . .

“Teachout said the problem is that most Americans see jazz as a form of high art. Sinnet confirmed that ‘the masses don’t understand the music,’ largely because there are fewer places to hear it. Getting ‘these kids’ to ‘realise [jazz] is something worth their time is difficult because they don’t hear it on TV or MTV.’ The word ‘jazz’ itself has even become sandbagged with lofty associations (Time Out London goes so far as to call it the ‘J Bomb’).” (more @ Intelligent Life)

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Robert Johnson“The mystery surrounding bluesman Robert Johnson‘s life and death feeds the lingering fascination with his work.

“There’s the myth he sold his soul to the devil to create his haunting guitar intonations. There’s the dispute over where he died after his alleged poisoning by a jealous man in 1938. Three different markers claim to be the site of his demise.

“His birthplace, however, has been verified. The seminal bluesman came into the world in 1911 in a well-crafted home built by his stepfather in the Mississippi town of Hazlehurst.

“Now, 71 years after his death, local officials want to restore the home in hopes of drawing Johnson fans and their tourism dollars to Copiah County, about 100 miles from the Delta region that most bluesmen called home.” (cont’d @ Variety)

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I’m not sure why I feel compelled to post this, but:

SCOTUS_baseball_card“If you’re a fan of the U.S. Supreme Court bobbleheads that can be found on the desks of powerhouse lawyers and law professors nationwide, then you’ll like the next brainchild of the bobbleheads’ creator: Supreme Court baseball cards.

“The first one, commemorating Chief Justice John Roberts Jr. as the Court’s ‘pitcher,’ has been issued to cognoscenti who subscribe to the unconventional law review Green Bag. Editor Ross Davies, who commissioned the bobbleheads, cooked up the trading cards too.

“Roberts is shown in the image of Mordecai ‘Three Fingers’ Brown, the famed Chicago Cubs pitcher who, like Roberts, grew up in Indiana. In the background is legendary umpire Bill Klem — a nod to Roberts’ 2005 statement that the Court must strive to be a ‘fair and unbiased umpire.'” (more @ Law.com)

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OED“Ever wonder how people really talked in the 1800s, or 1500s, or earlier?

“You can stop building the time machine. Such questions are now easier to answer than ever before, with the publication—after 44 years of work—of the Historical Thesaurus of the Oxford English Dictionary. At almost 4,000 pages and about 800,000 meanings, this mind-boggling reference work is the biggest thesaurus ever and the world’s first historical thesaurus: It takes the enormity of the OED and arranges it thematically and chronologically.” (cont’d @ GOOD)

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WhoIsAJew“The questions before the judges in Courtroom No. 1 of Britain’s Supreme Court were as ancient and as complex as Judaism itself.

“Who is a Jew? And who gets to decide?

“On the surface, the court was considering a straightforward challenge to the admissions policy of a Jewish high school in London. But the case, in which arguments concluded Oct. 30, has potential repercussions for thousands of other parochial schools across Britain. And in addressing issues at the heart of Jewish identity, it has exposed bitter divisions in Britain’s community of 300,000 or so Jews, pitting members of various Jewish denominations against one another. . . .

“The case began when a 12-year-old boy, an observant Jew whose father is Jewish and whose mother is a Jewish convert, applied to the school, JFS. Founded in 1732 as the Jews’ Free School, it is a centerpiece of North London’s Jewish community. It has around 1,900 students, but it gets far more applicants than it accepts. . . .

“By many standards, the JFS applicant, identified in court papers as ‘M,’ is Jewish. But not in the eyes of the school, which defines Judaism under the Orthodox definition set out by Jonathan Sacks, chief rabbi of the United Hebrew Congregations of the Commonwealth. Because M’s mother converted in a progressive, not an Orthodox, synagogue, the school said, she was not a Jew — nor was her son. It turned down his application.

“That would have been the end of it. But M’s family sued, saying that the school had discriminated against him. They lost, but the ruling was overturned by the Court of Appeal this summer.” (more @ NY Times)

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D'Lugoff“Art D’Lugoff, who was widely regarded as the dean of New York nightclub impresarios and whose storied spot, the Village Gate, was for more than 30 years home to performers as celebrated, and diverse, as Duke Ellington, Allen Ginsberg and John Belushi, died on Wednesday in Manhattan. He was 85 and lived in the Riverdale section of the Bronx. . . .

“Opened in 1958, the Village Gate was on the corner of Bleecker and Thompson Streets. The cavernous basement space it occupied — the building’s upper floors were then a flophouse — had once been a laundry. . . .

“The club closed its doors in 1994, amid rising rents, a changing market for live music and the aftermath of some unsuccessful investments by Mr. D’Lugoff. It briefly reappeared on West 52nd Street in 1996 but sputtered out after less than a year. . . .

“The Gate may have lacked the cachet of the Village Vanguard, a more intimate West Village club, but it was a bright star in the city’s cultural firmament for decades. A young Woody Allen did stand-up comedy there. The playwright-to-be Sam Shepard bused tables there. A waiter named Dustin Hoffman was fired there for being so engrossed in the performances that he neglected his customers, though service was by all accounts never the club’s strength. Dozens of albums were recorded there, by musicians like Pete Seeger and Nina Simone and by comics like Dick Gregory.

“Though most often thought of as a jazz space — among the eminences heard there over the years were John Coltrane, Miles Davis and Thelonious Monk — the Gate offered nearly every type of performance imaginable. There were blues artists like B. B. King; soul singers like Aretha Franklin; rockers like Jimi Hendrix; comics like Mort Sahl and Richard Pryor; and Beat poets.” (more @ NY Times)

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Levi-StraussClaude Lévi-Strauss, the French anthropologist who transformed Western understanding of what was once called ‘primitive man’ and who towered over the French intellectual scene in the 1960s and ’70s, has died at 100. . . .

“A powerful thinker, Mr. Lévi-Strauss was an avatar of ‘structuralism,’ a school of thought in which universal ‘structures’ were believed to underlie all human activity, giving shape to seemingly disparate cultures and creations. His work was a profound influence even on his critics, of whom there were many. There has been no comparable successor to him in France. And his writing — a mixture of the pedantic and the poetic, full of daring juxtapositions, intricate argument and elaborate metaphors — resembles little that had come before in anthropology. . . .

“A descendant of a distinguished French-Jewish artistic family, Mr. Lévi-Strauss was a quintessential French intellectual, as comfortable in the public sphere as in the academy. He taught at universities in Paris, New York and São Paulo and also worked for the United Nations and the French government.

“His legacy is imposing. ‘Mythologiques,’ his four-volume work about the structure of native mythology in the Americas, attempts nothing less than an interpretation of the world of culture and custom, shaped by analysis of several hundred myths of little-known tribes and traditions. The volumes — ‘The Raw and the Cooked,’ ‘From Honey to Ashes,’ ‘The Origin of Table Manners’ and ‘The Naked Man,’ published from 1964 to 1971 — challenge the reader with their complex interweaving of theme and detail.” (more @ NY Times)

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Bookcover1Bookcover2

Two examples from the extraordinary selection of twenty-five Weimer-era book covers and posters from the sadly out-of-print book Blickfang: Bucheinbände und Schutzumschläge Berliner Verlage 1919 – 1933 (Holstein, 2005), posted by Will on his blog, A Journey Round My Skull. (via thebookslut)

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