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Archive for the ‘Actors & Acting’ Category

soupysalesSoupy Sales, whose zany television routines turned the smashing of a pie to the face into a madcap art form, died Thursday night. He was 83.

“Mr. Sales’s former manager, Dave Usher, said the entertainer died in a hospice in New York City after suffering from multiple health problems.

“Cavorting with his puppet sidekicks White Fang, Black Tooth, Pookie the Lion and Hobart and Reba, the heads in the pot-bellied stove, transforming himself into the private detective Philo Kvetch, and playing host to the ever-present ‘nut at the door,’ Soupy Sales became a television favorite of youngsters and an anarchic comedy hero for teenagers and college students.

“Clad in a top hat, sweater and bow tie, shuffling through his Mouse dance, he reached his slapstick heyday in the mid-1960s on ‘The Soupy Sales Show,’ a widely syndicated program based at WNEW-TV in New York.” (cont’d @ NY Times)

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Sine Wave Goodbye Poster

Shameless plug for The Paper Industry‘s “Sine Wave Goodbye” which opens Thursday at Richard Foreman‘s Ontological-Hysteric Theater in Manhattan’s East Village . . . featuring my son (at left).

From the Press Release:

In The Paper Industry’s latest ‘ugly opera’ a man named M escapes the social machine only to lose himself inside his mind, rife with falling walls, forced dancing and maybe just a little bit of truth about Isaac Newton. M finds himself confronted by four oddball strangers in a landscape shaped by his subconscious in Sine Wave Goodbye, and through the use of dance, an original score and original text he hopes to discover what it is exactly that makes us tick. Exploring a fantastic and fatalistic interpretation of the laws of motion M will discover the tragic, glorious freedom of choice and consequence in a larger social context. The Paper Industry aims to exalt the singular experience of being human by distilling the most potent experiences into viscerally digestible moments. They unveil shadows of the human condition in order to illuminate intersection of sentiment between performers and audience members. For each of their pieces original music and text is combined with elements of the space towards one specific, cogent visceral effect.

Tickets can be purchased here.

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Posting will be spotty between now and the first week in June. I’ll be in DUMBO next week to see my son in “Sine Wave Goodbye” at the Ontological-Hysteric Theater and to attend my daughter’s commencement at Fordham University where she’s receiving her M.S. in TESOL Education. On the 17th my wife and I are off to Italy for two-plus weeks: Venice, Naples (Pompeii, Herculaneum), Sorrento & the Amalfi Coast, Rome. While in Italy I’ll post my impressions — especially of the food — on Twitter (you can follow my feedings either through the Twitter widget on the NSRG home page or directly on my Twitter page). Arrivederci!

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marin-reasonsCONGRATULATIONS to Marin Ireland for her 2009 TONY nomination for “Best Performance By A Featured Actress In A Play” for her performance as Steph in Neil LaBute’s reasons to be pretty.

reasons marks Marin’s Broadway debut after many successful roles both Off-Broadway and in regional theaters. My wife costumed Marin during her formative summer stock days and my son appeared opposite Marin in a summer stock children’s theater adaptation of “Goldilocks and the Three Bears” (Marin was Goldilocks, my son Baby Bear). We have been BIG Marin fans since those long ago summer days and have attended as many of her New York performances as possible. Finally, long overdue recognition for a fine, fine actor.

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dollhouse

Mabou Mines’ Dollhouse, which first opened in late 2003 at St. Ann’s Warehouse in Brooklyn, returned to St. Ann’s last month after five years of touring the world, for what is likely the final staging of the celebrated adaptation of Ibsen’s “protofeminist” classic, A Doll’s House. This exhilarating, bawdy and broadly comic production, in which the male actors are all “little people,” standing between 40 and 53 inches tall, and the women are all nearly 6 feet tall, closes next Sunday, March 8th.

An interview with Mabou Mines co-founder and Dollhouse director Lee Breuer can be found here.

A slideshow of images from the current run can be found here; or watch the promotional video –

Vodpod videos no longer available.

The original New York Times review from 2003 can be found here.

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