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Archive for March 30th, 2009

walker_percyA previously unknown short story by Walker Percy, whose first novel, The Moviegoer, won the National Book Award for Fiction in 1962, will be published in the April, 2009 issue of The Hopkins Review, a literary quarterly produced by Johns Hopkins University Press.

“‘A Detective Story’ is a breezy tale of William Pinckney, a Mississippi businessman who goes out for a pack of cigarettes and never comes home. The yarn is narrated by Jamie Rodgers, a long-time friend of Pinckney’s. At the request of Pinckney’s wife, and to appease his own curiosity, Rodgers sets out on a quest – to Memphis, Atlanta and other places — to find the vanished man.” (more @ NPR)

It is unclear when Percy wrote “A Detective Story.” Logan Browning, a lecturer at Rice University, thinks Percy may have written the piece in the late 1950s before he wrote The Moviegoer.

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cuba_postcard“Roughly a year after Fidel Castro stepped aside and handed much of the responsibility for leading Cuba to his brother Raúl, there is new momentum in Washington for eliminating the ban on most U.S. travel to the island nation and for reexamining the severe limitations on U.S.-Cuban economic exchanges.

“At a Capitol Hill news conference scheduled for tomorrow, a wide array of senators and interest groups — including Senate Democratic Policy Committee Chairman Byron L. Dorgan (N.D.); Banking Committee Chairman  Christopher J. Dodd (D-Conn.); Richard G. Lugar (Ind.), the top Republican on the Senate Foreign Relations Committee; the U.S. Chamber of Commerce; and Human Rights Watch — will rally around a potentially historic bill to lift the travel ban.” (more @ Washington Post)

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levittHelen Levitt, a major photographer of the 20th century who caught fleeting moments of surpassing lyricism, mystery and quiet drama on the streets of her native New York, died in her sleep at her home in Manhattan on Sunday. She was 95. . . .

“Ms. Levitt captured instances of a cinematic and delightfully guileless form of street choreography that held at its heart, as William Butler Yeats put it, ‘the ceremony of innocence.’ A man handles garbage-can lids like an exuberant child imitating a master juggler. Even an inanimate object — a broken record — appears to skip and dance on an empty street as a child might, observed by a group of women’s dresses in a shop window.

“As marvelous as these images are, the masterpieces in Ms. Levitt’s oeuvre are her photographs of children living their zesty, improvised lives. A white girl and a black boy twirl in a dance of their own imagining. Four girls on a sidewalk turning to stare at five floating bubbles become contrapuntal musical notes in a lovely minor key.

“In Ms. Levitt’s best-known picture, three properly dressed children prepare to go trick-or-treating on Halloween 1939. Standing on the stoop outside their house, they are in almost metaphorical stages of readiness. The girl on the top step is putting on her mask; a boy near her, his mask in place, takes a graceful step down, while another boy, also masked, lounges on a lower step, coolly surveying the world.

“‘At the peak of Helen’s form,’ John Szarkowski, former director of the photography department at the Museum of Modern Art, once said, ‘there was no one better.'” (more @ NY Times)

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