“It opened nearly three years ago at an army drill hall in Edinburgh and has toured the world from New York to Sydney. But the play Black Watch only reached London last year – allowing it entry to the UK’s most prestigious theatre awards. Last night it walked away with four.
“The National Theatre of Scotland‘s story of the now amalgamated regiment came away with the most Olivier awards for an individual production, including best new play and, for John Tiffany, best director. . . . An unforgettable play based on interviews with soldiers who served in Iraq, it also won for sound design and choreography.” (more @ The Guardian)
A complete list of 2009 Olivier Award winners can be found here.
The New York Times review from the first of Black Watch‘s two runs at St. Ann’s Warehouse in Brooklyn (2007) can be found here.
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[As much as I admire Black Watch — which I saw during both of its New York runs — I was disappointed that Tracy Letts’s August: Osage County, which I also attended twice, and which won both the 2008 Tony Award for Best Play and the 2008 Pulitzer Prize for Drama, did not win the Olivier best new play award. My sense is that the war-tested Scottish regiment enjoyed a bit of a home field advantage in London over Letts’s dysfunctional and hard-drinking Oklahoma family.]
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